Edvard Munchノルウェー王国, 1863–1944Vampire II (Vampyr II)
お目にかかれますか？
ただいまはお迎えしていません
ニューヨーク近代美術館
ニューヨーク, アメリカ合衆国
コレクションに属していますが、現在は展示されていません。
- 確認
- 出典
- 美術館自身の所蔵データ
作品データ
- 収蔵番号
- 308.1950
カタログ収録
出典
- ニューヨーク近代美術館：美術館のオープンデータ · 15 日前に取得
- 画像： ニューヨーク近代美術館 — © the artist or rights holder
その頃、Edvard Munchの人生では
生涯をすべて見るDecember 1893
The "Love" Exhibition: Beginning of "The Frieze of Life"
At an exhibition on Unter den Linden he showed, among other works, six paintings under the title "Studies for a Series: Love" — the beginning of the cycle later named "The Frieze of Life — a Poem about Life, Love and Death."
1894
Turn to Copper Engraving
He began engraving on copper on his own, without formal training, working in etching, drypoint, and aquatint, and created many masterpieces in the medium.
1896
Meetings with Gauguin and the Symbolists in Paris
During an important stay in Paris he met Gauguin, Émile Bernard, Maurice Denis, and Symbolist poets, notably Mallarmé. At this time he turned to etching, woodcut, and lithography.
May 1896
Exhibition at the Maison de l'Art Nouveau
Siegfried Bing showed 60 of Munch's works, including "The Kiss," "The Scream," "Madonna," and "The Sick Child." The exhibition introduced the French public to the artist's work.
1898
Beginning of the Affair with Tulla Larsen
An affair began with Tulla (Mathilde) Larsen, a wealthy young Norwegian woman. Initially warm, the relationship in time began to weigh on Munch because of Tulla's ardor and possessiveness.
