Bernardo Bellottoイタリア, 1721–1780В соборе
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- この状態になった日
- 2026年9月29日
- 出典
- 美術館自身の所蔵データ
About the painting
In the museum's own words — the original
На фоне здания с колоннами, в центре - мужчина с ребенком-арапом беседует с женщиной. За ними служанка с мальчиком и собака. Слева у колонны художник. Вдали, вид города и горожане.
National Art Museum of the Sakha Republic
作品データ
- 収蔵番号
- Ж-752
出典
- The State Catalogue of the Museum Fund of Russia · 6 日前に取得
- 画像： National Art Museum of the Sakha Republic — © Национальный художественный музей Республики Саха · Госкаталог музейного фонда РФ
その頃、Bernardo Bellottoの人生では
生涯をすべて見るc. 1744
Son born: Lorenzo Bellotto
1744
Works in Lombardy for Count Antonio Simonetta
From 1743 Bellotto travelled through northern Italy, returning to Venice only occasionally, and in 1744 he worked in Lombardy for Count Antonio Simonetta. Collectors often mistook his landscapes of those years for works by the more famous Canaletto, and vice versa.
1745
At the court of Charles Emmanuel III in Turin
Bellotto worked in Turin at the court of Charles Emmanuel III, King of Sardinia and Duke of Savoy; in these years he also visited Verona several times. His View of Turin with the Palazzo Reale and View of the Old Bridge over the Po in Turin (Galleria Sabauda) date from 1745.
July 1747
Moves to Dresden at the invitation of Augustus III
At the end of 1746 Augustus III, Elector of Saxony and King of Poland and a great lover of Venetian painting, invited Bellotto to Dresden, and in July 1747 the painter moved there with his wife and son. He was appointed court painter, probably through the mediation of Francesco Algarotti, at a salary of 1,750 thalers a year.
1747–1757
Post: court painter
