Walker Evansアメリカ合衆国, 1903–1975Untitled (Subway Portrait)
お目にかかれますか？
ただいまはお迎えしていません
シカゴ美術館
シカゴ, アメリカ合衆国
コレクションに属していますが、現在は展示されていません。
- 確認
- この状態になった日
- 出典
- 美術館自身の所蔵データ
作品データ
- 収蔵番号
- 2002.639
カタログ収録
出典
- シカゴ美術館: the museum's own open data · 7 日前に取得
- 画像： シカゴ美術館 — © the artist or rights holder
その頃、Walker Evansの人生では
生涯をすべて見るsummer 1936
Hale County with James Agee, on assignment for Fortune
In the summer of 1936, while on leave from the FSA, Evans and the writer James Agee are sent by Fortune to Hale County, Alabama, for a story the magazine subsequently opts not to run.
1938
“Walker Evans: American Photographs” at MoMA
The Museum of Modern Art in New York holds “Walker Evans: American Photographs”, the museum's first exhibition devoted to the work of a single photographer; the catalogue includes an essay by Lincoln Kirstein, whom Evans befriended in his early days in New York.
until 1938
The end of his FSA work
Evans continues to work for the Farm Security Administration until 1938.
1938–1939
Working with and mentoring Helen Levitt
In 1938 and 1939 Evans works with and mentors Helen Levitt.
1940 · 受賞
Guggenheim Fellowship
1941
“Let Us Now Praise Famous Men” is published
Evans's photographs and Agee's text detailing the duo's stay with three white tenant families in southern Alabama during the Great Depression are published as the groundbreaking book “Let Us Now Praise Famous Men”. Its detailed account of three farming families paints a deeply moving portrait of rural poverty.
