Untitled (Picture with Basket Ring), Kurt Schwitters, 1938
Kurt Schwittersの肖像Kurt Schwittersドイツ, 1887–1948

Untitled (Picture with Basket Ring)

1938 · Painting

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『Untitled (Picture with Basket Ring)』は今どこに? 所蔵: ニューヨーク近代美術館, ニューヨーク. 現在は展示されていません. 確認 2026年9月22日.

ニューヨーク近代美術館

ニューヨーク, アメリカ合衆国

コレクションに属していますが、現在は展示されていません。

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美術館

作品データ

収蔵番号
1070.1983

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出典

その頃、Kurt Schwittersの人生では

生涯をすべて見る
  1. late 1936

    Photographs of the Merzbau at MoMA

    Photographs of the Merzbau, reproduced in 1933–34 in the journal of the Paris-based group abstraction-création, are exhibited at the Museum of Modern Art in New York.

  2. 1937

    Merz pictures in the ‘Degenerate Art’ exhibition

    That same year his Merz pictures are included in the Nazi-organised ‘Degenerate Art’ exhibition in Munich, making his return impossible.

  3. 2 January 1937

    Flees Germany for Norway

    Wanted by the Gestapo for an ‘interview’, he leaves for Norway to join his son Ernst, who had left Germany on 26 December 1936; his wife Helma stays in Hanover to manage their four properties.

  4. 2 June 1939

    Last meeting with his wife Helma

    At a joint celebration in Oslo of his mother Henriette’s 80th birthday and his son Ernst’s engagement, Kurt and Helma meet for the last time; until the outbreak of war Helma had visited him in Norway for a few months each year.

  5. 8 – 18 June 1940

    Flees from Norway to Scotland

    After the Nazi invasion he is interned, as a German citizen, by the Norwegian authorities at the Vågan Folk High School in Kabelvåg in the Lofoten Islands; after his release he flees with his son and daughter-in-law to Leith on the Norwegian patrol vessel ‘Fridtjof Nansen’, between 8 and 18 June 1940.

  6. 17 July 1940

    Arrives at Hutchinson Camp on the Isle of Man

    Officially an enemy alien, he is moved between various camps in Scotland and England and on 17 July 1940 arrives at Hutchinson Camp in Douglas; by the end of the month it holds some 1,205 internees, almost all German or Austrian, and it is soon known as ‘the artists’ camp’.

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