Tobie et l'ange, Rosa, Salvator, 2e quart du XVIIe siècle (1625 - 1650)
Salvator Rosaの肖像Salvator Rosaイタリア, 1615–1673

Tobie et l'ange

2e quart du XVIIe siècle (1625 - 1650) · Peintures

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『Tobie et l'ange』は今どこに? 所蔵: ルーヴル美術館, パリ. 現在は展示されていません. 確認 2026年9月26日.

ルーヴル美術館

パリ, フランス

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出典
美術館

作品データ

収蔵番号
INV 583

カタログ収録

出典

  • ルーヴル美術館
  • 画像: ルーヴル美術館 — © 2023 GrandPalaisRmn (musée du Louvre) / Mathieu Rabeau

その頃、Salvator Rosaの人生では

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  1. c. 1633

    Wanderings through Apulia and Calabria, Captivity among Bandits

    At eighteen he set out on a journey through Apulia and Calabria, fell into the hands of local bandits, and lived among them for a time, studying their types and ways.

  2. 1634–1636

    First Roman Period on Lanfranco's Advice

    Giovanni Lanfranco, who had noticed his works in Falcone's studio, advised him to move to Rome, where Rosa remained from 1634 to 1636.

  3. 1638

    Move to Rome under the Protection of Cardinal Brancaccio

    He settled in Rome under the patronage of the influential Cardinal Francesco Maria Brancaccio, a lover of the arts and theater who was close to the Barberini family.

  4. 1640

    Meeting Lucrezia Paolini

    In Florence he met Lucrezia Paolini, who had been abandoned by her husband; she became his lifelong companion and was probably the model for the allegory of Music (c. 1641).

  5. 1640–1649

    Florentine Period at the Medici Court

    After scandalous quarrels with Bernini and his failure to gain admission to the Accademia di San Luca, he moved to Florence at the invitation of Giovanni Carlo de' Medici, where he remained until 1649.

  6. 1647

    Participation in Masaniello's Revolt

    According to a widespread account, he took part in the popular uprising led by Masaniello in Naples; he painted a portrait of Masaniello and expressed sympathy for the revolt in one of his satires.

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