Vito Acconciアメリカ合衆国, 1940–2017Three Relationship Studies: Shadow-Play, Imitations, Manipulations
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ニューヨーク, アメリカ合衆国
コレクションに属していますが、現在は展示されていません。
- 確認
- 出典
- 美術館
作品データ
- 収蔵番号
- 1157.2007.1-3
カタログ収録
出典
- ニューヨーク近代美術館
- 画像： ニューヨーク近代美術館 — © the artist or rights holder
その頃、Vito Acconciの人生では
生涯をすべて見る1960s
Marriage to the artist Rosemary Mayer
In the 1960s Acconci is married to the artist Rosemary Mayer.
late 1960s
From poetry to performance and video
Acconci transforms himself from a poet into a performance and video artist, with his own body as the subject of his photography, film, video and performance. Influenced by Situationism, he stages performances in the street or for small audiences that explore the body and public space.
late 1960s
The poetry magazine “0 TO 9”
Acconci begins his career as a poet, editing and self-publishing the poetry magazine “0 TO 9” with Bernadette Mayer: produced on a mimeograph machine in 100 to 350 copies per issue, it mixes contributions by poets and artists.
1971
The first critical article about him, in Arts Magazine
Cindy Nemser becomes the first art critic to write about Acconci, for Arts Magazine; her later interview with him becomes the magazine's cover piece.
1972年6月30日–1972年10月8日
Exhibition: Documenta 5
