The Virgin of the Immaculate Conception
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『The Virgin of the Immaculate Conception』は今どこに？ 所蔵: ヴィクトリア&アルバート博物館, ロンドン. 現在は展示されていません. 確認 2026年9月25日.
ロンドン, イギリス
コレクションに属していますが、現在は展示されていません。
- 確認
- この状態になった日
- 出典
- 美術館
この彫刻について
Ivory sculptures were locally produced in large numbers in Portuguese Sri Lanka (formerly called Ceylon). Usually for an European clientele, their style of carving combines Indian or Sri Lankan with European traditions.
This large figure of the Virgin of the Immaculate Conception is similar in style to the Mourning Mary (V&A. no. A.35-1940) and both are likely to date from the middle of the seventeenth-century and to have been carved in Goa, or perhaps Sri Lanka. From the sixteenth-century, the Portuguese were active as traders and later as rulers in Sri Lanka and Goa (on the west coast of India).
続きを読む
Ivory carving had a long tradition on the Indian subcontinent, and elaborate works of art were made, particularly as diplomatic gifts, often presented to Western rulers. Most of the ivory would have been exported from Mozambique in East Africa. Ivory sculptures were produced in large numbers in Portuguese Sri Lanka (formerly called Ceylon). The Virgin Mary was often standing on the crescent moon, triumphant over a dragon, both symbols derived from the Book of the Apocalypse in the New Testament.. From the sixteenth century onwards, the four main missionary Orders, the Augustinians, Jesuits, Dominicans and Franciscans, built churches and aimed to convert the inhabitants of India. The ivories would assist in the presentation of Christian imagery, as well as being exported back to churches, convents and private collectors in Europe.
ヴィクトリア&アルバート博物館
作品データ
- 収蔵番号
- A.60-1949
描かれているもの
カタログ収録
出典
- ヴィクトリア&アルバート博物館
- 画像： ヴィクトリア&アルバート博物館 — © Victoria and Albert Museum, London
