Diego Velázquezスペイン王国, 1599–1660The Supper at Emmaus
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メトロポリタン美術館
展示室展示室 624ニューヨーク, アメリカ合衆国
一般公開されています。裏付けとなる出典は下に記しています。
- 確認
- この状態になった日
- 出典
- 美術館
作品データ
- 収蔵番号
- 14.40.631
その頃、Diego Velázquezの人生では
生涯をすべて見る1611–1622 · 活動地
Seville
April 1622
First journey to Madrid
With letters of introduction to the royal chaplain Juan de Fonseca, Velázquez went to Madrid. He was not allowed to paint the new king, Philip IV, but at Pacheco's request he portrayed the poet Luis de Góngora.
1622–1623
The Escorial: discovering Titian
Thanks to Juan de Fonseca, Velázquez saw the royal collection at the Escorial — Titian, Veronese, Tintoretto, Bassano. According to the historian Julián Gállego, studying it, Titian above all, decisively changed his style, from stern naturalism toward silvery greys and transparent blues.
1622–1660 · 活動地
Madrid
30 August 1623
Philip IV sits for Velázquez for the first time
After the death of the king's favourite court painter, Rodrigo de Villandrando, the Count-Duke of Olivares summoned Velázquez to court. The king sat for him, the portrait pleased, and Olivares ordered the painter to move to Madrid.
6 October 1623
Appointed court painter
Velázquez was appointed court painter in place of the late Villandrando at twenty ducats a month, plus fees for his pictures. The king repeated to him Alexander the Great's promise to Apelles: “No one but you shall paint me from now on.”
