Camille Corotフランス, 1796–1875The Reader
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ミネアポリス美術館
展示室G354ミネアポリス, アメリカ合衆国
一般公開されています。裏付けとなる出典は下に記しています。
- 確認
- この状態になった日
- 出典
- 美術館
この絵画について
This painting once belonged to James J. Hill (1838-1916), the Minnesota railroad magnate whose collection of European paintings forms the basis of the Institute's nineteenth-century holdings.
Conservation of this picture was made possible by a generous contribution from Barbara and Joseph Ali, Mary Grahek and Mike Zimmerman through the Art Champions program.
ミネアポリス美術館
作品データ
- 収蔵番号
- 67.31.2
その頃、Camille Corotの人生では
生涯をすべて見る1860s
An interest in photography
In the 1860s Corot became interested in photography, taking photos himself and becoming acquainted with many early photographers. The monochrome tones of photographs suppressed his palette even further, making his paintings less dramatic but somewhat more poetic.
1865–1875
“Père Corot” of Parisian artists
In his final ten years Corot became the “Père (Father) Corot” of Parisian artistic circles, regarded with personal affection and acknowledged as one of the five or six greatest landscape painters the world had seen, along with Hobbema, Claude Lorrain, Turner and Constable.
1867年6月29日 · 受賞
Officer of the Legion of Honour
