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The Good Luck Branch, Helen Hyde, 1907
Helen Hydeの肖像Helen Hydeアメリカ合衆国, 1868–1919

The Good Luck Branch

1907 · Graphic Arts-Print · 15.6 × 16.5 cm

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不明

スミソニアン・アメリカ美術館

ワシントンD.C., アメリカ合衆国

所蔵者は判明していますが、現在展示中かどうかは不明です。

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美術館
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作品データ

収蔵番号
1992.13.49

描かれているもの

FriendshipWillowJapanese dressClothing and dressState of beingFoliage子供Emotions

カタログ収録

版画木版画モダニズム20世紀

出典

Helen Hydeのほかの作品

すべての作品
Untitled (Girl Holding Pink Flowers), Helen Hyde, n.d.

Untitled (Girl Holding Pink Flowers)

n.d. · 非展示 · シカゴ美術館

Sausalito, Helen Hyde, ca. 1896-1898

Sausalito

ca. 1896-1898 · スミソニアン・アメリカ美術館

Totty, Helen Hyde, 1896

Totty

1896 · スミソニアン・アメリカ美術館

Miss Plum Blossom, Helen Hyde, 1897

Miss Plum Blossom

1897 · 非展示 · シカゴ美術館

The Shower, Helen Hyde, 1897

The Shower

1897 · 非展示 · シカゴ美術館

Hide and Seek, Helen Hyde, 1897

Hide and Seek

1897 · スミソニアン・アメリカ美術館

Miss Plum Blossom, Helen Hyde, 1897

Miss Plum Blossom

1897 · スミソニアン・アメリカ美術館

Mother and Child, Helen Hyde, 1897

Mother and Child

1897 · スミソニアン・アメリカ美術館

スミソニアン・アメリカ美術館で肩を並べる作品

美術館のページ
Muskrat, Unidentified, before 1997

Unidentified

Muskrat, before 1997

Cane with Boot-Shaped Handle, Unidentified, late 19th-early 20th century

Unidentified

Cane with Boot-Shaped Handle, late 19th-early 20th century

San Jose, Arce group, late 19th-early 20th century

Arce group

San Jose, late 19th-early 20th century

Nuestra Senora del Carmen, Rivera group, ca. late 19th-early 20th century

Rivera group

Nuestra Senora del Carmen, ca. late 19th-early 20th century

San Rafael, Genaro Rivera Aviles, late 19th-early 20th century

Genaro Rivera Aviles

San Rafael, late 19th-early 20th century

Worrying Mother Pig Toy, Unidentified, 20th century (pre-1960s)

Unidentified

Worrying Mother Pig Toy, 20th century (pre-1960s)

Bright Light at Russell's Corners, George Ault, 1946

George Ault

Bright Light at Russell's Corners, 1946

Fish Decoy, Unidentified, ca. 1940s

Unidentified

Fish Decoy, ca. 1940s

同じ主題 · Friendship

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William Blake

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Lucien Carr, my oldest friend from college days, had introduced me to Jack Kerouac after they’d met at the West End bar on 113th St. & Broadway, and connected Jack + me to his fellow St. Louis uppermiddle-class (aristocrat we thought) confrère William S. Burroughs, late winter 1944. We lived down the hall from each other on 7th floor Union Theological Seminary, Columbia freshman dorm during W.W.II, I heard haunting Brahms sextet music through his door, knocked, we met. Kerouac heard _Old Angel Midnight_ eloquence in Lucien’s laconic “Celtic” intonations. Here four decades later, wise Old Dog Bureau Manager United Press International he was visiting former house-mate Alene Lee’s Soho loft. More eyes perused his wire-service prose than all Jack’s & my texts, I’ll bet. December 2, 1986., Allen Ginsberg, 1986, printed 1996

Allen Ginsberg

Lucien Carr, my oldest friend from college days, had introduced me to Jack Kerouac after they’d met at the West End bar on 113th St. & Broadway, and connected Jack + me to his fellow St. Louis uppermiddle-class (aristocrat we thought) confrère William S. Burroughs, late winter 1944. We lived down the hall from each other on 7th floor Union Theological Seminary, Columbia freshman dorm during W.W.II, I heard haunting Brahms sextet music through his door, knocked, we met. Kerouac heard _Old Angel Midnight_ eloquence in Lucien’s laconic “Celtic” intonations. Here four decades later, wise Old Dog Bureau Manager United Press International he was visiting former house-mate Alene Lee’s Soho loft. More eyes perused his wire-service prose than all Jack’s & my texts, I’ll bet. December 2, 1986., 1986, printed 1996

非展示 · ナショナル・ギャラリー

Haverstraw, New York. Interracial activities at Camp Christmas Seals, where children are aided by the Methodist Camp Service. Camp buddies, Gordon Parks, August 1943, printed later

Gordon Parks

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非展示 · ナショナル・ギャラリー

Ornament met opdracht aan Andries Schoemaker en Christoffel Beudeker, anonymous, 1731

anonymous

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アムステルダム国立美術館

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アムステルダム国立美術館

Ontmoeting tussen vrienden, Daniel Nikolaus Chodowiecki, 1795

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アムステルダム国立美術館

Drie voorstellingen over oprechtheid en hypocrisie, Daniel Nikolaus Chodowiecki, 1793

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アムステルダム国立美術館

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アムステルダム国立美術館