The Flagellation

1512 · Print · 11.59 × 7.3 cm

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ミネアポリス美術館

ミネアポリス, アメリカ合衆国

コレクションに属していますが、現在は展示されていません。

確認: 一昨日
この状態になった日: 2026年9月25日
出典: 美術館

地図で見る美術館のページ

作品について

Much of the gory non-Gospel detail in the Passion literature was connected to Old Testament prophesies. For example, Isaiah 1:6 (From the sole of the foot unto the top of the head, there is no soundness therein) inspired horrific Flagellation episodes. One tract said Christ was whipped from bottom to top, so his blood would not hide any bit of flesh from his torturers. Such gruesome imagery--and Christ's defenselessness--helped viewers visualize the depth of pain Christ endured on their behalf.

ミネアポリス美術館

作品データ

収蔵番号: P.127

カタログ収録

版画エングレーヴィングルネサンス 16世紀ドイツ

出典

ミネアポリス美術館
画像：ミネアポリス美術館 — public domain

その頃、Albrecht Dürerの人生では

生涯をすべて見る

1507–1528 · 活動地
Nuremberg
1511
Publishes the Great Passion and the Life of the Virgin
Dürer published two woodcut series as books, the Great Passion and the Life of the Virgin, with a second edition of the Apocalypse and the 37 woodcuts of the Little Passion. His post-Venetian woodcuts developed chiaroscuro modelling.
1512
Emperor Maximilian I becomes his chief patron
From 1512 Emperor Maximilian I was Dürer's chief patron. For him Dürer and his workshop produced the Triumphal Arch, a giant woodcut 295 × 357 cm printed from 192 blocks and modelled on the triumphal arches of ancient Rome.
3 January 1512
Nuremberg's privilege against forgeries
Nuremberg's city council granted Dürer a privilege for the sale of his prints, with penalties for anyone who forged them.
1513–1516
Three years without painting
Complaining that painting did not pay enough to justify the time compared with his prints, Dürer produced no paintings from 1513 to 1516.
1514
Death of his mother
In the year of Melencolia I and St Jerome in His Study, the artist's mother, Barbara Holper, died.