Christophe Veyrierフランス, 1637–1689The Dying Achilles
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はい、現在展示中
『The Dying Achilles』は今どこに？ ヴィクトリア&アルバート博物館, Europe 1600-1815, Room 5, The Friends of the V&A Gallery, ロンドン. はい、現在展示中. 確認 2026年9月25日.
開館中· 17:45まで
一般公開されています。
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- この状態になった日
- 出典
- 美術館
この彫刻について
Achilles, the Greek hero of the Trojan war, is shown here with his body arched back dramatically, dying from an arrow wound in his heel. A putto at his feet is trying to remove the arrow. According to legend, his heel was the only part of Achilles' body which was vulnerable to injury because it had been held (and therefore covered) by his mother Thetis when he was an infant and she had dipped him into the waters of the River Styx which were meant to give him protection. The V&A has a sculpture by Thomas Banks of 1789 depicting this event.
続きを読む
The Dying Achilles is a work by the French Baroque sculptor Christophe Veyrier (1637-89), who was born in Trets, in Southern France, one of four brothers who were all involved in artistic professions. Christophe was a pupil of the sculptor Pierre Puget - who was born and died in Marseille nearby - and became his assistant. It shows the clear influence of Puget's work and in particular the latter's St. Sebastian in S.Maria del Carignano, Genoa. Veyrier worked as Puget's assistant in Genoa between 1661 and 1667 so would certainly have known this work. Veyrier travelled to Rome in the late 1660s and in its pose, the figure of Achilles also has echoes of the work of Bernini which he would have encountered there. Veyrier returned to France in 1670, working in Aix en Provence and, subsequently, Toulon where he died.
Not many documented independent works by him exist but they include portrait busts in marble and terracotta, including one of Puget. The Louvre Museum has a magnificent and imposing (over 3m high) marble statue of Perseus and Andromeda by Puget, made for Louis XIV 1678-84 and installed in the gardens of Versailles in 1685, on which Veyrier is thought to have collaborated.
This statue, signed and dated 1683, was produced at the same time as Veyrier was working on his most important work, in marble and stucco; the decoration of the chapel of Corpus Domini in Toulon, which was commissioned in 1682 and completed by 26th May 1686. This was to replace an earlier work in wood by Puget which had been destroyed by fire.
ヴィクトリア&アルバート博物館
作品データ
- 収蔵番号
- A.20-1945
描かれているもの
カタログ収録
出典
- ヴィクトリア&アルバート博物館
- 画像： ヴィクトリア&アルバート博物館 — © Victoria and Albert Museum, London
