Surprise Attack (Überfall einer Schleichpatrouille) from The War (Der Krieg)

(1924) · Print

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『Surprise Attack (Überfall einer Schleichpatrouille) from The War (Der Krieg)』は今どこに？ 所蔵: ニューヨーク近代美術館, ニューヨーク. 現在は展示されていません. 確認 2026年9月22日.

ニューヨーク, アメリカ合衆国

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1920s
A ruthless chronicle of Weimar Germany
Like Grosz, Dix is extremely critical of contemporary German society, unsparingly depicting prostitution, violence, old age and death and often dwelling on Lustmord, or sexualized murder. His legless and disfigured veterans, a common sight on Berlin's streets in the 1920s, reveal the ugly side of war and the forgotten status of these men in German society.
1923年2月1日
Married: Martha Dix
1923年6月14日
Daughter born: Nelly Dix
c. 1924
Oil glazes over a tempera underpainting
By this time Dix is developing an increasingly realistic style of painting, using thin glazes of oil paint over a tempera underpainting in the manner of the old masters.
1925
The Neue Sachlichkeit exhibition in Mannheim
Dix contributes to the Neue Sachlichkeit exhibition in Mannheim, which also features works by George Grosz, Max Beckmann, Heinrich Maria Davringhausen, Karl Hubbuch, Rudolf Schlichter, Georg Scholz and many others.
1925
The Trench scandal: Adenauer cancels the purchase
The Trench causes such a furor that the Wallraf-Richartz Museum hides the painting behind a curtain; in 1925 the then-mayor of Cologne, Konrad Adenauer, cancels the purchase of the painting and forces the museum's director to resign.