Willem de Kooningアメリカ合衆国, 1904–1997Study for "Glazier" (Self-Portrait)
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シカゴ美術館
シカゴ, アメリカ合衆国
コレクションに属していますが、現在は展示されていません。
- 確認
- この状態になった日
- 出典
- 美術館自身の所蔵データ
作品データ
- 収蔵番号
- 2023.3034
カタログ収録
出入りの記録
現在は非展示
シカゴ美術館 · 2026年10月2日 — 現在 · 確認済み
展示中 · Regenstein Hall
シカゴ美術館 · 2026年9月28日 — 2026年10月2日 · 確認済み
出典
- シカゴ美術館：美術館のオープンデータ · 8 日前に取得
- 画像： シカゴ美術館 — © the artist or rights holder
その頃、Willem de Kooningの人生では
生涯をすべて見る1937
Leaves the Federal Project: no citizenship
In 1937 De Kooning had to leave the Federal Art Project because he did not have U.S. citizenship, and he began to work full-time as an artist, earning income from commissions and by giving lessons.
1938
Meets Elaine Fried
In 1938 her teacher introduced Elaine Fried, then 20 and an admirer of Willem’s work, to the 34-year-old De Kooning in a Manhattan cafeteria. He began to teach her drawing and painting in his loft on West 21st Street, sternly demanding precise linear definition, and destroyed many of her drawings, which impelled Elaine to strive for both precision and grace.
turn of the 1930s and 1940s
His own manner takes shape
De Kooning’s individual manner took shape at the turn of the 1930s and 1940s under the influence of Picasso and Miró.
1940s
Meets Franz Kline
De Kooning met the younger painter Franz Kline, who was also working in the figurative style of American realism and had been drawn to monochrome. Kline, who died young, became one of De Kooning’s closest artist friends; his influence is evident in De Kooning’s calligraphic black images of this period.
