Studie für „Bildnis Adele Bloch-Bauer I“, Gustav Klimt, 1904
Gustav Klimtの肖像Gustav Klimtオーストリア, 1862–1918

Studie für „Bildnis Adele Bloch-Bauer I“

1904 · Drawing

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『Studie für „Bildnis Adele Bloch-Bauer I“』は今どこに? 所蔵: アルベルティーナ, ウィーン. 不明.

アルベルティーナ

ウィーン, オーストリア

所蔵者は判明していますが、現在展示中かどうかは不明です。

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出典

その頃、Gustav Klimtの人生では

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  1. 1897–1917

    Society portraits of Viennese ladies

    Over twenty years Klimt painted nearly twenty society portraits of women, which gave him financial independence; Carl Moll introduced him to many of the sitters, most of them from the Jewish upper bourgeoisie. In the portraits the ladies are hidden in sumptuous clothing, their heads and hands seeming to float detached from reality.

  2. 1900–1907

    He returns the advance and keeps the paintings

    The state commission refused to accept the three “Faculty Paintings”; Klimt told the minister he would return the 60,000-krone advance, refused to work for the Austrian state again and kept the pictures. The ministry demanded them, but Klimt did not open the door to the removal men — and the affair ended in his victory.

  3. 1902

    Son born: Otto Zimmermann

  4. 1903

    His first solo show at the Secession

    The Secession's first solo exhibition was devoted to Klimt and proved exceptionally successful: the artist earned 36,000 kronen.

  5. 1905

    Klimt and his group leave the Secession

    Klimt and his “stylist” followers, who held that art should enter every sphere of life, fell out with the “naturalists”; the decision against Klimt's group was carried by a single vote. For the next three years the group had no joint exhibitions.

  6. 1906

    The “Kunstschau” group

    A year after the split Klimt formed the “Kunstschau” group, or “Klimt group”, which included Carl Moll, Otto Wagner and other leading Austrian artists.

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