László Moholy-Nagyアメリカ合衆国, 1895–1946Structure of the World
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『Structure of the World』は今どこに？ 所蔵: ニューヨーク近代美術館, ニューヨーク. 現在は展示されていません. 確認 2026年9月22日.
ニューヨーク, アメリカ合衆国
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- 確認
- 出典
- 美術館
作品データ
- 収蔵番号
- 508.1939
カタログ収録
出典
- ニューヨーク近代美術館
- 画像： ニューヨーク近代美術館 — © the artist or rights holder
その頃、László Moholy-Nagyの人生では
生涯をすべて見る1920–1933 · 居住
Berlin
1923
Gropius brings him to the Bauhaus
László took over Johannes Itten's role co-teaching the foundation course with Josef Albers and replaced Paul Klee as head of the metal workshop. This effectively ended the school's Expressionist leanings and moved it back towards its original aims of design and integration with industry. Other accounts count Albers among his students.
1924
Meets Mayakovsky
In 1924 Moholy-Nagy met Vladimir Mayakovsky and made several photographic portraits of him.
1925
The book “Painting, Photography, Film”
Published in the Bauhaus Books series, it is where Moholy-Nagy chose the word “photosculpture” for his photomontages and advanced the idea of “New Vision” — that the camera could show the world as the eye cannot. He was the first interwar artist to suggest using the telescope, microscope and radiography in art; in 1929 the book appeared in Moscow as “Painting or Photography”.
1927–1929
Photography editor of “i 10”
From 1927 to 1929 Moholy-Nagy was photography editor of the Dutch avant-garde magazine International Revue i 10.
