Joseph Mallord William Turnerイギリス, 1775–1851St Michael's Mount, Cornwall
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はい、現在展示中
『St Michael's Mount, Cornwall』は今どこに？ ヴィクトリア&アルバート博物館, Paintings, Room 87, The Edwin and Susan Davies Galleries, ロンドン. はい、現在展示中. 確認 2026年9月25日.
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一般公開されています。
- 確認
- この状態になった日
- 出典
- 美術館
この絵画について
The island of St Michael's Mount is the site of a medieval monastery. Its harbour is linked to the mainland by a causeway at low tide. This composition derives from sketches made in 1811. One critic thought it 'unsubstantial and visionary'. It is probably a pair with Line Fishing, Off Hastings, also in the V&A.
ヴィクトリア&アルバート博物館
作品データ
- 収蔵番号
- FA.209[O]
描かれているもの
カタログ収録
出典
- ヴィクトリア&アルバート博物館
- 画像： ヴィクトリア&アルバート博物館 — © Victoria and Albert Museum, London
その頃、Joseph Mallord William Turnerの人生では
生涯をすべて見る1830–1840s
Criticism in the 1830s–1840s and Ruskin’s defence
His innovative works, bordering on abstraction, gave him a reputation for madness: the Victorian public preferred realism and sentimentality, and Queen Victoria refused to knight him. John Ruskin came to his defence, calling him “the greatest artist of all time”.
1833
Vienna and Venice: down the Danube, back by the Rhine
He visited Vienna and Venice, travelling down the Danube and returning via the Rhine; the trip to Venice inspired important works such as “Venice, from the Porch of Madonna della Salute” (1835), “Venice, the Bridge of Sighs” (1840) and “The Sun of Venice Going to Sea” (1843).
1835–1836
Denmark and Prussia, then Switzerland and the Val d’Aosta
In 1835 he visited Denmark, Prussia, Hamburg and Rotterdam, and in 1836 France and Switzerland, crossing the Alps into the Val d’Aosta valley.
