Alexander Calderアメリカ合衆国, 1898–1976Seed Pod and Cattails
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ミネアポリス美術館
ミネアポリス, アメリカ合衆国
コレクションに属していますが、現在は展示されていません。
- 確認
- この状態になった日
- 出典
- 美術館自身の所蔵データ
作品について
In 1968, Alexander Calder made dynamic brush drawings of marsh reeds, usually with an additional symbol, such as the sun, flowers, or a seed pod like this one. One can imagine Calder, so famous for his mobiles, brought to life with air movement, watching with rapt attention as breezes set long grasses into motion. “What I produce is not precisely what I have in mind, ” Calder explained, “but a sort of sketch, a man-made approximation. That others grasp what I have in mind seems unessential … as long as they have something else in theirs.”
ミネアポリス美術館
作品データ
- 収蔵番号
- 2016.33.45
カタログ収録
出典
- ミネアポリス美術館：美術館のオープンデータ · 8 日前に取得
- 画像： ミネアポリス美術館 — © Calder Foundation, New York / Artists Rights Society (ARS), New York
その頃、Alexander Calderの人生では
生涯をすべて見る1966
“Autobiography with Pictures”
In 1966 Calder publishes his “Autobiography with Pictures”, written with the help of his son-in-law Jean Davidson.
1967 and 1969
Posters against the Vietnam War
Calder also uses prints for advocacy: in 1967 and 1969 he issues poster prints protesting the Vietnam War.
1969
The retrospective at the Fondation Maeght
A major retrospective of Calder’s work is held in 1969 at the Fondation Maeght in Saint-Paul-de-Vence, France.
