
お目にかかれますか?
ケンブリッジ, アメリカ合衆国
コレクションに属していますが、現在は展示されていません。
This figurine preserves the upper part of the gently reclining form of a seated Harpokrates. He wears no headdress but has a uraeus on his forehead and the standard side-lock. The figure extends an elongated finger towards his mouth; his proper left hand, now missing, would have been held beside his thigh. A large, crudely executed navel marks the schematic treatment of his body. Possible traces of a broad collar can be discerned on the back, and a fold of fat indicated on his chest suggests the presence of a now-invisible pectoral. The legs have been filed just below the buttocks.
Harpokrates represents the god Horus as a child, shown nude with the side-lock of youth on the right side of his head and his right index finger to his mouth. As the son of Osiris and Isis, he gained immense popularity during the Ptolemaic and Roman periods, during which time the production of bronze figurines of Harpokrates flourished. He often wears the Double Crown of Upper and Lower Egypt, a feature common in first millennium Egypt when youthful deities acquired kingly attributes. Another characteristic headdress is the nemes head cloth, although frequently the boy is depicted with either a shaven head or a tight-fitting skull cap. His nude body typically retains the roundness of flesh associated with young boys. The child-god could be represented seated, striding, or squatting.
When seated, he assumes a semi-reclining position derived from that of a baby on its mother’s lap; many of the smaller examples of these figurines may originally have belonged with a seated Isis figure (1). Suspension loops for attachment as a pendant indicate an amuletic connection that may have been particularly associated with young children.
NOTES:
1. G. Roeder, Ägyptische Bronzefiguren, Staatliche Museen zu Berlin Mitteilungen aus der Ägyptischen Sammlung 6 (Berlin, 1956) 13-17, 104-105, pls. 15-22.
Marian Feldman
ハーバード美術館群