Rose Bather, Félix Edouard Vallotton, c. 1893
Félix Edouard Vallottonの肖像Félix Edouard Vallottonフランス, 1865–1925

Rose Bather

c. 1893 · Painting · 24 × 18.8 cm

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『Rose Bather』は今どこに? 所蔵: オルセー美術館, パリ. 不明.

オルセー美術館

パリ, フランス

所蔵者は判明していますが、現在展示中かどうかは不明です。

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美術館

作品データ

収蔵番号
RF MO P 2016 10

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出典

  • ウィキデータ
  • 画像: オルセー美術館 — Félix Vallotton · Public domain · Wikimedia Commons

その頃、Félix Edouard Vallottonの人生では

生涯をすべて見る
  1. 1889–1903 · 所属

    Les Nabis

  2. 1890–1897

    Art critic for the Gazette de Lausanne

    To earn a living Vallotton restored paintings for the dealer Henri Haro, and from 1890 he wrote for the Swiss Gazette de Lausanne — some thirty articles on the Paris art world up to 1897.

  3. 1891

    Leaves the Salon for the Indépendants

    Showing at the official Salon des Artistes for the last time, Vallotton exhibited six paintings at the avant-garde Salon des Indépendants for the first time. Commissions from Swiss patrons began to arrive at the same time.

  4. 1892

    “The Foreign Nabi” and friendship with Vuillard

    Among the Nabis — Bonnard, Roussel, Maurice Denis — Vallotton found a lifelong friend in Édouard Vuillard; he kept a little apart from the others, earning the jocular title of “the Foreign Nabi”.

  5. 1893–1897

    Woodcuts for La Revue Blanche; the Natansons' patronage

    His woodcuts brought Vallotton clients and financial security: he illustrated leading French periodicals, including La Revue Blanche, and foreign ones such as The Chap-Book of Chicago, and cut covers for theatre programmes and book illustrations. Thadée Natanson, publisher of La Revue Blanche, and his wife Misia became his patrons and introduced him to the Paris avant-garde elite — Mallarmé, Proust, Satie and Debussy.

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