Road near L'Estaque, Georges Braque, L'Estaque, late summer 1908
Georges Braqueの肖像Georges Braqueフランス, 1882–1963

Road near L'Estaque

L'Estaque, late summer 1908 · Painting

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『Road near L'Estaque』は今どこに? ニューヨーク近代美術館, MoMA, 5階, 503, ニューヨーク. はい、現在展示中. 確認 2026年9月22日.

ニューヨーク近代美術館

ニューヨーク, アメリカ合衆国

展示室MoMA, 5階, 503

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収蔵番号
103.1943

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その頃、Georges Braqueの人生では

生涯をすべて見る
  1. 1906

    With Othon Friesz to L'Estaque and Antwerp

    In 1906 Braque travelled with Friesz to paint in L'Estaque, in Antwerp and back home in Le Havre. The same year produced Seascape, L'Estaque, now in the Thyssen-Bornemisza Museum in Madrid.

  2. 1907

    Success at the Salon des Indépendants

    In May 1907 Braque successfully exhibited Fauvist works at the Salon des Indépendants.

  3. 1907

    The Cézanne retrospective changes his course

    The large, museum-like retrospective at the Salon d'Automne of Paul Cézanne, who had died in 1906, deeply affected the Paris avant-garde and led to the advent of Cubism; under its influence Braque's style began a slow evolution.

  4. October – November 1907

    Meets Pablo Picasso

    In the autumn of 1907 Braque visited Picasso's studio, and after the meeting sharply changed his manner, striving for economy of means and geometric forms (another view holds that the encounter rather accelerated and intensified his pursuit of Cézanne's ideas).

  5. 14 November 1908

    Exhibition at Kahnweiler's and Vauxcelles's “cubes”

    Reviewing Braque's exhibition at Kahnweiler's gallery, the critic Louis Vauxcelles called him a daring man who despises form, “reducing everything, places and figures and houses, to geometric schemas, to cubes”.

  6. 1909–1912

    Creates Cubism together with Picasso

    From 1909 to 1912 (other accounts say from as early as 1908) Braque worked with Picasso on the theoretical foundations of Cubism and became one of the movement's founders; for many years their paintings of the period were indistinguishable. Braque likened their partnership to being roped together on a mountain.

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