Repetition Nineteen I, Eva Hesse, 1967–68
Eva Hesseの肖像Eva Hesseアメリカ合衆国, 1936–1970

Repetition Nineteen I

1967–68 · Drawing

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ニューヨーク近代美術館

ニューヨーク, アメリカ合衆国

コレクションに属していますが、現在は展示されていません。

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美術館

作品データ

収蔵番号
469.1971

カタログ収録

出典

その頃、Eva Hesseの人生では

生涯をすべて見る
  1. 1960s

    Befriends LeWitt, Judd and Kusama

    Back in New York after Yale, she grows close to the young minimalist artists Sol LeWitt, Donald Judd and Yayoi Kusama. Her friendship with LeWitt lasts to the end of her life; they wrote to each other often.

  2. 1964–1965

    A year in Germany: an abandoned mill in Kettwig

    So that Doyle can take up a residency from the German industrialist and collector Friedrich Arnhard Scheidt (a move Eva did not welcome), the couple live and work for about a year in an abandoned textile mill in Kettwig near Essen. The angular forms of the disused machines and tools inspire her mechanical drawings, and the year becomes a turning point: from then on sculpture is the main focus of her work.

  3. 1965

    Returns to New York and takes up new materials

    After the year in Germany she returns to New York in 1965, devotes herself to sculpture and begins experimenting with the unconventional materials that become her signature: latex, fiberglass and plastic.

  4. 1965

    LeWitt tells her to stop thinking and just do

    In 1965 Sol LeWitt, with whom she corresponded often, famously urges a doubting Eva to stop thinking and simply do the work.

  5. October 1969

    Diagnosis: a brain tumor

    In October 1969 Hesse is diagnosed with a brain tumor; within a year she undergoes three unsuccessful operations.

  6. 1970年5月29日

    Died

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