Jean-Baptiste Carpeauxフランス, 1827–1875Рабыня
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Chuvashian State Arts Museum
Cheboksary, ロシア
所蔵者は判明していますが、現在展示中かどうかは不明です。
- この状態になった日
- 出典
- 美術館
この彫刻について
美術館の言葉で — ロシア語
Плечи в 3/4 оборота вправо. Грудь обнажена. Под грудью драпировка. Плечи и грудь перетянуты веревкой. Густые взлохмаченные коротко остриженные волосы разделены на прямой пробор. Глаза смотрят вверх вправо. На плите впереди: "Рoupauoi maitre sojaue".
Chuvashian State Arts Museum
作品データ
- 収蔵番号
- С 11
カタログ収録
出典
- ロシア博物館資産国家目録
- 画像： Chuvashian State Arts Museum — © Чувашский государственный художественный музей · Госкаталог музейного фонда РФ
その頃、Jean-Baptiste Carpeauxの人生では
生涯をすべて見る1856–1859 · 修学
French Academy in Rome
1856–1861
Rome: Michelangelo and street sketches
From January 1856 he lives at the Villa Medici and studies Donatello, Verrocchio, Raphael and Michelangelo; tired of academicism, he wanders the streets of Rome sketching and looking for living subjects — perhaps it is then that he resolves to make the ordinary life of people, their festivals and pastimes, the main subject of his art. Michelangelo remains his sun: when an artist feels pale and cold, he said, he should run to Michelangelo to warm himself.
1862
Returns to Paris and is presented at court
Back in Paris, he is presented to the imperial court by his friend and patron Eugène d’Alvin de Piennes, soon to become the Empress’s chamberlain, and becomes a sought-after portraitist, though he was never a court official. An admirer of Napoleon III, Carpeaux also contrived a face-to-face meeting with the emperor at Amiens, where he persuaded him to commission a marble statue.
