Proletarian Victim, David Alfaro Siqueiros, 1933
David Alfaro Siqueirosの肖像David Alfaro Siqueirosメキシコ, 1896–1974

Proletarian Victim

1933 · Painting

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『Proletarian Victim』は今どこに? 所蔵: ニューヨーク近代美術館, ニューヨーク. 現在は展示されていません. 確認 2026年9月22日.

ニューヨーク近代美術館

ニューヨーク, アメリカ合衆国

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出典
美術館

作品データ

収蔵番号
4.1938

カタログ収録

出典

その頃、David Alfaro Siqueirosの人生では

生涯をすべて見る
  1. 1932

    A new method of mural painting: projector and spray gun

    Painting a fresco on an outside wall, visible to passersby as well as intentional viewers, forced Siqueiros to reconsider his methodology: a mural, in his view, must conform to the normal transit of a spectator rather than be an enlarged easel painting. He eventually developed a technique of tracing figures onto a wall with an electric projector, photographing early wall sketches to improve perspective, and using new paints, spray guns and other tools suited to the surfaces of modern buildings.

  2. 1932

    Deported from the United States for political activity

    The same year, 1932, Siqueiros was unceremoniously deported from the United States for political activity.

  3. 1932

    In Los Angeles: mural workshops at Nelbert Chouinard’s invitation

    Facing expulsion from Mexico for his radical political activity, Siqueiros came to Los Angeles at the invitation of Nelbert Chouinard to conduct mural workshops. A collective experimenting with airbrushes, spray guns and projectors painted three major murals under his direction in six months.

  4. 1932

    An exhibition and conference in Taxco on Mexican muralism

    In 1932 Siqueiros led an exhibition and conference entitled “Rectifications on Mexican Muralism” at the gallery of the Spanish Casino in Taxco.

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