Anthony van Dyckフランドル, 1599–1641Portret van Desiderius Erasmus
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『Portret van Desiderius Erasmus』は今どこに？ 所蔵: アムステルダム国立美術館, アムステルダム. 不明.
アムステルダム, オランダ
所蔵者は判明していますが、現在展示中かどうかは不明です。
- 出典
- 美術館
作品について
美術館の言葉で — オランダ語
Portret van Desiderius Erasmus met onderschrift Erasmus Rotterdamus
アムステルダム国立美術館
作品データ
- 収蔵番号
- RP-P-1940-1527
描かれているもの
カタログ収録
出典
- アムステルダム国立美術館
- 画像： アムステルダム国立美術館 — public domain
その頃、Anthony van Dyckの人生では
生涯をすべて見る1626–1632
The Iconography Print Series
After returning to Antwerp, Van Dyck conceived a large series of engraved portraits of his contemporaries, the Iconography; he etched eighteen plates himself, executing the preparatory drawings mainly between 1626 and 1633. The first edition (80 plates) appeared in Antwerp in 1632.
1629
Beginning of His Relationship with Charles I
Van Dyck's relationship with Charles I began in 1629: through the intermediary Sir Endymion Porter, the king acquired his painting Rinaldo and Armida.
by 1630
Court Painter to Archduchess Isabella
From 1630 Van Dyck was court painter to Archduchess Isabella Clara Eugenia of Habsburg, regent of the Spanish Netherlands; for her portrait he received a gold chain.
1632 · 活動地
London
1632
Post: court painter
5 July 1632
Principal Painter to King Charles I
On 5 July 1632 Charles I officially appointed Van Dyck principal painter to the king, guaranteeing an annual income of two hundred pounds sterling; the king gave him a large house with a garden on the banks of the Thames.
