
Canalettoイタリア, 1697–1768Piazza San Marco
見られますか?
はい、現在展示中
『Piazza San Marco』は今どこに? メトロポリタン美術館, 展示室 644, ニューヨーク. はい、現在展示中. 確認 2026年9月29日.
ニューヨーク, アメリカ合衆国
開館中· 21:00まで
一般公開されています。
- 確認
- この状態になった日
- 出典
- 美術館
作品データ
- 収蔵番号
- 1988.162
描かれているもの
カタログ収録
出典
- メトロポリタン美術館
- 画像: メトロポリタン美術館 — Open Access (CC0)
その頃、Canalettoの人生では
生涯をすべて見る1716–1719 · 活動地
Venice
1719 · 活動地
Rome
1719–1720
Rome: Pannini, van Wittel and the turn to the veduta
In Rome Canal comes to know the work of the vedutista Giovanni Paolo Pannini and begins to paint views of Venice; his love of landscape painting grows stronger through contacts with the Dutch artists working in Rome, in particular Gaspar van Wittel. Soon he probably realises that the conventions of stage design stand in the way of his natural gift.
1720–1746 · 活動地
Venice
until 1728
The association with Joseph Smith begins
Sometime before 1728 Canaletto begins his association with Joseph Smith, an English businessman and collector living in Venice, who is appointed British Consul there in 1744; Smith will become the artist's principal agent and patron.
c. 1729 – 1735
Smith as agent: a “market of taste” for the Venetian veduta
Joseph Smith — a banker, art dealer and later British consul in Venice — creates a “market of taste” for the Venetian veduta among British aristocrats touring Italy and, as Canaletto's commercial agent from about 1729 to 1735, in effect controls the artist's work to the benefit of them both. Among the young painter's buyers is also the Prince of Liechtenstein.














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![[Landschaft mit einem viereckigen Turm; Landscape with a Square Tower; Paysage à la tour carrée], Rembrandt, 1650](https://diglib.hab.de/varia/haum/rembrandt-v3-4664/max/000001.jpg)
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