Piazza San Marco, Canaletto, late 1720s
Canalettoの肖像Canalettoイタリア, 1697–1768

Piazza San Marco

late 1720s · Painting

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『Piazza San Marco』は今どこに? メトロポリタン美術館, 展示室 644, ニューヨーク. はい、現在展示中. 確認 2026年9月29日.

メトロポリタン美術館

ニューヨーク, アメリカ合衆国

展示室展示室 644

開館中· 21:00まで

一般公開されています。

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この状態になった日
出典
美術館

作品データ

収蔵番号
1988.162

描かれているもの

カタログ収録

出典

その頃、Canalettoの人生では

生涯をすべて見る
  1. 1716–1719 · 活動地

    Venice

  2. 1719 · 活動地

    Rome

  3. 1719–1720

    Rome: Pannini, van Wittel and the turn to the veduta

    In Rome Canal comes to know the work of the vedutista Giovanni Paolo Pannini and begins to paint views of Venice; his love of landscape painting grows stronger through contacts with the Dutch artists working in Rome, in particular Gaspar van Wittel. Soon he probably realises that the conventions of stage design stand in the way of his natural gift.

  4. 1720–1746 · 活動地

    Venice

  5. until 1728

    The association with Joseph Smith begins

    Sometime before 1728 Canaletto begins his association with Joseph Smith, an English businessman and collector living in Venice, who is appointed British Consul there in 1744; Smith will become the artist's principal agent and patron.

  6. c. 1729 – 1735

    Smith as agent: a “market of taste” for the Venetian veduta

    Joseph Smith — a banker, art dealer and later British consul in Venice — creates a “market of taste” for the Venetian veduta among British aristocrats touring Italy and, as Canaletto's commercial agent from about 1729 to 1735, in effect controls the artist's work to the benefit of them both. Among the young painter's buyers is also the Prince of Liechtenstein.

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