Adam Elsheimerドイツ, 1578–1610Пейзаж
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不明
Gatchina Museum-Preserve
ガッチナ, ロシア
所蔵者は判明していますが、現在展示中かどうかは不明です。
- この状態になった日
- 出典
- 美術館
この絵画について
美術館の言葉で — ロシア語
Изображен ночной пейзаж с архитектурными сооружениями. Слева угол здания, к которому примыкает аркада. Сверху здание и аркада обвиты зеленью. Справа - угол здания, перед которым на постаменте стоит большая ваза. В центре на переднем плане изображена женщина, которую за руку ведет мальчик, держащий факел. В правом верхнем углу видна луна.
Gatchina Museum-Preserve
作品データ
- 収蔵番号
- ГДМ-54-III
その頃、Adam Elsheimerの人生では
生涯をすべて見る1578年3月18日
Born
18 March 1578
A master tailor’s family in Frankfurt
Born in Frankfurt am Main, one of ten children of a master tailor. His father’s house stood a few metres from the church where Dürer’s Heller Altarpiece was then displayed, and survived until it was destroyed by Allied bombs in 1944.
1598
Sets out for Italy via Munich
At twenty he travelled to Italy, and he is documented in Munich in 1598. His teacher Philipp Uffenbach specialised in large altarpieces, whereas Elsheimer’s earliest small paintings on copper seem to date from before he reached Italy.
early 1600
Arrives in Rome
He arrives in Rome in early 1600. His stay in Venice is undocumented, but its influence on his style is clear: he is believed to have painted “The Baptism of Christ” (London) and “The Holy Family” (Berlin) there, which show the influence of Tintoretto, Veronese and Rottenhammer.
1600
Befriends Faber and Bril in Rome
Soon after arriving he befriends contacts of Rottenhammer: Giovanni Faber, a papal doctor, botanist and collector from Bamberg who was curator of the Vatican Botanical Garden, and the Flemish landscape painter Paul Bril, long established in Rome. Both had converted from Lutheranism to Catholicism, as Elsheimer would later do.
1601
