Jackson Pollockアメリカ合衆国, 1912–1956Number 7, 1950
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ニューヨーク近代美術館
ニューヨーク, アメリカ合衆国
コレクションに属していますが、現在は展示されていません。
- 確認
- 12 日前
- 出典
- 美術館自身の所蔵データ
作品データ
- 収蔵番号
- 719.1993
出典
- ニューヨーク近代美術館: the museum's own open data · 12 日前に取得
- 画像： ニューヨーク近代美術館 — © the artist or rights holder
その頃、Jackson Pollockの人生では
生涯をすべて見る1948
A sensational show at Betty Parsons
Pollock's 1948 exhibition at the Betty Parsons Gallery was a sensation and a financial success. He was then able to get a larger studio.
8 August 1949
Life asks if he is the greatest living US painter
On 8 August 1949 Life published an article on Pollock under a headline asking whether he was the greatest living painter in the United States.
1950
“No. 12, 1949” at the Venice Biennale
Pollock's “No. 12, 1949”, a medium-sized drip painting, was shown in the United States Pavilion at the 1950 Venice Biennale.
1950
Hans Namuth photographs and films Pollock at work
In 1950 the young photographer Hans Namuth photographed and filmed Pollock at work. Pollock had promised to start a new painting for the session but said it was already finished — then, as if realising it was not, he flung paint onto the canvas for about half an hour in an almost dancelike movement.
from 7 March 1952
First Paris exhibition at Paul Facchetti's
From 7 March 1952 the first exhibition of Pollock's works of 1948–1951 in Paris and in Europe was held at Paul Facchetti's studio, arranged through the mediation of Pollock's close friend Alfonso Ossorio and the art historian Michel Tapié.
1952年4月9日–1952年7月27日
Exhibition: 15 Americans
