Pietro Peruginoイタリア, 1448–1523Noli Me Tangere
見られますか？
はい、現在展示中
『Noli Me Tangere』は今どこに？ シカゴ美術館, 展示室 205, シカゴ. はい、現在展示中. 確認 2026年9月29日.
シカゴ, アメリカ合衆国
開館中· 17:00まで
一般公開されています。
- 確認
- この状態になった日
- 出典
- 美術館
この絵画について
Perugino’s serene and decorous art was widely influential in his native region of Umbria and beyond, most famously through his contact with the young Raphael. These four panels, together with another one depicting the Resurrection, now at the Metropolitan Museum of Art, New York, once constituted a predella—a series of small pictures, often with narrative content, forming the base of an altarpiece. In this case, the painting that was positioned above the predella as the focal point of the altarpiece is unidentified. The predella scenes depict moments when Christ’s special nature was revealed: his birth, his baptism by Saint John the Baptist in the river Jordan, his conversation with a woman of Samaria at the well of the patriarch Jacob, the Resurrection, and his appearance to Mary Magdalene after the Resurrection.
シカゴ美術館CC BY 4.0
作品データ
- 収蔵番号
- 1933.1026
描かれているもの
カタログ収録
出典
- シカゴ美術館
- 画像： シカゴ美術館 — CC0
その頃、Pietro Peruginoの人生では
生涯をすべて見る1486–1499
Two studios: in Florence and in Perugia
Between 1486 and 1499 Perugino works mainly between Florence and Perugia, maintaining a studio in each city. In the 1480s and 1490s he is one of the most celebrated artists of Italy.
1500s
Michelangelo calls Perugino a “bungler in art”
Michelangelo tells Perugino to his face that he is a bungler in art (goffo nell'arte); Vannucci brings an action for defamation of character, unsuccessfully.
1501
Made one of the priors of Perugia
In 1501 Perugino is made one of the priors of Perugia.
