Bernard, Emileフランス, 1868–1941Moisson au bord de la mer
見られますか？
不明
『Moisson au bord de la mer』は今どこに？ 所蔵: オルセー美術館, パリ. 不明.
パリ, フランス
所蔵者は判明していますが、現在展示中かどうかは不明です。
- この状態になった日
- 出典
- 美術館
作品データ
- 収蔵番号
- RF 1982 52
カタログ収録
出典
- ウィキデータ
- 画像： オルセー美術館 — Emile Bernard (1868 - 1941) – Painter (French) Details on Google Art Project · Public domain · Wikimedia Commons
その頃、Bernard, Emileの人生では
生涯をすべて見る1890
A religious crisis and a turn to the Middle Ages
In 1890 Bernard goes through a religious crisis and turns to the subjects and themes of medieval art. In the same year he sets out to revive symbolism, which he saw as Christian in essence — the invisible expressed through the visible.
1891
The break with Gauguin
In 1891 Bernard breaks off his friendship with Gauguin. It was always his great frustration that Gauguin never named him as an influence on pictorial symbolism; one writer says his rivalry with Gauguin led him “out of spite” towards classicism.
1891
Among the Symbolists and the Nabis
In 1891 Bernard joins the group of Symbolist painters that includes Odilon Redon and Ferdinand Hodler, and in the same year becomes a member of the Nabis.
1893–1903
Travel: Egypt
1893–1903
Journeys through Egypt, Italy and Spain
From 1893 to 1903 Bernard travels in Egypt, Italy and Spain, painting mostly religious and Symbolist canvases, and his style grows more eclectic. One writer holds that it was in the Middle East, in a period of great crisis, that he turned to classicism.
