Moïse et le serpent d'airain, Jacopo Amigoni, 18e siècle
Jacopo Amigoniの肖像Jacopo Amigoniイタリア, 1682–1752

Moïse et le serpent d'airain

18e siècle · Painting · 70 × 111 cm

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『Moïse et le serpent d'airain』は今どこに? 所蔵: ストラスブール美術館, ストラスブール. 不明.

ストラスブール美術館

ストラスブール, フランス

所蔵者は判明していますが、現在展示中かどうかは不明です。

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美術館
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作品データ

収蔵番号
44.990.1.1 ; 44.R.140 (N° récolement)

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出典

  • ストラスブール美術館
  • 画像: ストラスブール美術館 — © Service photographique des Musées de Strasbourg, © PLISSON; Ministère de la Culture (France), base Joconde

その頃、Jacopo Amigoniの人生では

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  1. 1711

    Begins working in Germany

    In the same year he began working in Germany and collaborated with the Venetian painter Antonio Bellucci. Many offers of work at the time may have come from Giovanni Antonio Pellegrini, who was in Düsseldorf in 1713–1714.

  2. 1716–1728

    Works in Bavaria

    He worked extensively in the cities and monasteries of Bavaria, painting altarpieces for Würzburg Cathedral and pictures for the Munich Residence; in Munich the engraver Joseph Wagner became his pupil. Other accounts document him in Bavaria only from 1717 and have him back in Venice as early as 1726.

  3. 1729 or 1730

    Moves to London

    He settled in London, where he lived until 1739 apart from a trip to Paris. In portraiture he took an honoured place in the English tradition that followed Van Dyck and Peter Lely.

  4. 1747

    Leaves for Madrid

    He left for Madrid: Giambattista Tiepolo was then the leading painter in Venice, and Farinelli, who held a court appointment in Spain, encouraged the move. He worked in Spain until the end of his life, mainly on commissions from King Ferdinand VI.

  5. 1752

    First director of the Academy of San Fernando

    He was appointed the first director of the Royal Academy of San Fernando, founded in 1752.

  6. 1752年8月21日

    Died

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