Félix Edouard Vallottonフランス, 1865–1925Misia à sa coiffeuse
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『Misia à sa coiffeuse』は今どこに？ 所蔵: オルセー美術館, パリ. 不明.
パリ, フランス
所蔵者は判明していますが、現在展示中かどうかは不明です。
- この状態になった日
- 出典
- 美術館
作品データ
- 収蔵番号
- RF 2004 1
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出典
- ウィキデータ
- 画像： オルセー美術館 — Félix Vallotton · Public domain · Wikimedia Commons
その頃、Félix Edouard Vallottonの人生では
生涯をすべて見る1893–1897
Woodcuts for La Revue Blanche; the Natansons' patronage
His woodcuts brought Vallotton clients and financial security: he illustrated leading French periodicals, including La Revue Blanche, and foreign ones such as The Chap-Book of Chicago, and cut covers for theatre programmes and book illustrations. Thadée Natanson, publisher of La Revue Blanche, and his wife Misia became his patrons and introduced him to the Paris avant-garde elite — Mallarmé, Proust, Satie and Debussy.
23 January 1898
On Dreyfus's side
At the height of the Dreyfus affair Vallotton passionately defended the falsely accused officer; his series of satirical woodcuts, including “The Age of the Newspaper”, appeared on the front page of Le Cri de Paris. The affair divided the Nabis and was one reason the group had drifted apart by 1900.
1899
Married: Gabrielle Bernheim
1899
After the wedding, a flat by the Gare Saint-Lazare
His wife, Gabrielle Rodrigues-Henriques — a widow and the daughter of the dealer Alexandre Bernheim, founder of the Galerie Bernheim-Jeune — brought three children from her first marriage into the household. After a brief honeymoon in Switzerland the couple moved into a large flat near the Gare Saint-Lazare; the marriage brought Vallotton financial security.
1900
Becomes a French citizen
The Swiss-born Vallotton was naturalised as a French citizen.
1900s
Exhibitions across Europe and in Russia
In the 1900s Vallotton's exhibitions met with triumph in Vienna, Munich, Zurich, Prague, London and Stockholm; his works were also shown in Moscow, St Petersburg, Kiev, Odessa and Amsterdam.
