Love Restrained by the Graces, Konrad Linck, possibly 1763-1777
Konrad Linck

Love Restrained by the Graces

possibly 1763-1777 · Sculpture

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はい、現在展示中

『Love Restrained by the Graces』は今どこに? ハーバード美術館群, Gallery 2220, floor 2, European and American Art, 17th–19th century, ケンブリッジ. はい、現在展示中. 確認 2026年9月29日.

ハーバード美術館群

ケンブリッジ, アメリカ合衆国

展示室2220, floor 2, European and American Art, 17th–19th century

一般公開されています。

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この状態になった日
出典
美術館

この彫刻について

In the 18th century, porcelain was the most modern decoration because it had so recently been made for the first time in Europe. This new material was used to create objects dealing with contemporary popular themes, such as fashionable life and love. Earlier experiments in making “true” porcelain had failed, and vessels continued to be made of earthenware, like the punch bowl in an adjacent gallery (2240). Creating “true,” or hard-paste, porcelain out of feldspar and quartz became an obsession for European monarchs in their quest to compete with imported Chinese works and, later, with one another as they set up various nationalized porcelain factories.

続きを読む

In Love Restrained by the Graces, cupid figures are encircled by and intertwined with nude females symbolizing beauty and joy. Such a work could evoke pleasing associations during the consumption of sweets at the end of a meal. While enjoying dessert, a European male viewer might contemplate the ideal of self-control in the face of desire, to say nothing of the industrial and artistic dominance over a rival state suggested by such fine wares.

For a special display of Chinese and Korean porcelain, visit Gallery 3620. See more 18th-century German porcelain in an installation designed by contemporary artist Arlene Shechet in Gallery 1510.

ハーバード美術館群

作品データ

収蔵番号
BR64.75

カタログ収録

出典

同じ展示室 · Gallery 2220, floor 2, European and American Art, 17th–19th century, ハーバード美術館群

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