Little Girl

1922 · Painting · 80.65 × 50.8 cm

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『Little Girl』は今どこに？ 所蔵: ミネアポリス美術館, ミネアポリス. 現在は展示されていません. 確認 2026年9月29日.

ミネアポリス美術館

ミネアポリス, アメリカ合衆国

コレクションに属していますが、現在は展示されていません。

確認: 12 日前
この状態になった日: 2026年9月25日
出典: 美術館

地図で見る美術館のページ

この絵画について

In the early 1920s, Otto Dix determined to make a name for himself. Saying, “I will either become notorious or famous, ” he challenged artistic conventions, painting subjects considered ugly or taboo in a realistic manner that became known as the Neue Sachlichkeit (New Objectivity). Here, a young naked girl is depicted in an uncomfortably close and realistic manner, her blue veins recorded with unsettling accuracy. Yet the portrayal is matter-of-fact rather than provocative; she has an innocence devoid of shame about her natural state.

ミネアポリス美術館

作品データ

収蔵番号: 75.72.3

カタログ収録

絵画油彩ドイツ絵画モダニズム 20世紀ドイツ

出典

ミネアポリス美術館
画像：ミネアポリス美術館 — © Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn

その頃、Otto Dixの人生では

生涯をすべて見る

1920
The first Dada Fair in Berlin
Dix exhibits some of his collage-influenced works at the first Dada Fair in Berlin.
1920
Meeting George Grosz
Dix meets George Grosz, his friend and fellow veteran, and, influenced by Dada, begins to incorporate collage elements into his works.
1920
The German Expressionists exhibition in Darmstadt
In 1920 Dix takes part in the German Expressionists exhibition in Darmstadt.
1920s
A ruthless chronicle of Weimar Germany
Like Grosz, Dix is extremely critical of contemporary German society, unsparingly depicting prostitution, violence, old age and death and often dwelling on Lustmord, or sexualized murder. His legless and disfigured veterans, a common sight on Berlin's streets in the 1920s, reveal the ugly side of war and the forgotten status of these men in German society.
1921
Meeting Martha Koch
Dix meets the metalsmith Martha Koch; they will marry in 1923 and have three children, and she becomes a frequent subject of his portraits.
1923年2月1日
Married: Martha Dix