Lilacs, Édouard Vuillard, 1890s
Edouard Vuillardの肖像Edouard Vuillardフランス, 1868–1940

Lilacs

1890s · Painting · 240 × 154.5 cm

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オルセー美術館

パリ, フランス

所蔵者は判明していますが、現在展示中かどうかは不明です。

この状態になった日
出典
美術館

作品データ

収蔵番号
RF 2009 3

カタログ収録

出典

  • ウィキデータ
  • 画像: オルセー美術館 — Sailko · CC BY 3.0 · Wikimedia Commons

その頃、Edouard Vuillardの人生では

生涯をすべて見る
  1. 1886–1927 · 活動地

    Paris

  2. 1890

    Joins the Nabis

    He begins attending the meetings of the “prophets” in late 1889 and in 1890, through Maurice Denis, becomes a member of the group, which met in Paul Ranson’s studio and in the cafés of the Passage Brady; because of his military service he is given the coded nickname “Nabi Zouave”. Other accounts date his membership from 1891.

  3. early 1890s

    The Natanson brothers and La Revue Blanche

    Through his theatre work he meets Alexandre and Thadée Natanson, founders of the cultural review La Revue Blanche, where his graphics appear alongside work by Bonnard, Toulouse-Lautrec and Vallotton; the brothers become his important patrons. Other accounts say they had known each other since the Lycée Condorcet.

  4. 1891

    First exhibition with the Nabis at Saint-Germain-en-Laye

    At the château of Saint-Germain-en-Laye he shows two paintings, among them “The Woman in a Striped Dress”; the reviews are largely good, although the critic of Le Chat Noir (19 September 1891) finds the works still indecisive.

  5. 1900

    The Nabis part ways and Vuillard’s manner changes

    After their exhibition of 1900 the Nabis go their separate ways; Vuillard abandons the close, dark interiors, paints more outdoors in natural light and gradually returns to naturalism, with lighter, deeper interiors and clearer faces.

  6. 1900

    Meets Lucy Hessel

    He meets Lucy Hessel, the wife of a Swiss art dealer, who becomes his new muse: each year she travels with him to Normandy from July to September, advises him, and stays with him until the end of his life despite many rivals and dramatic scenes.

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