Le pont de Chatou

1906 · Painting · 54 × 73 cm

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『Le pont de Chatou』は今どこに？ 所蔵: アノンシアード美術館, サン＝トロペ. 不明.

サン＝トロペ, フランス

所蔵者は判明していますが、現在展示中かどうかは不明です。

アノンシアード美術館
画像：アノンシアード美術館 — © Direction des Musées de France, 1986; Ministère de la Culture (France), base Joconde

1904
A painting at Berthe Weill's gallery
In 1904 one of Vlaminck's paintings found its way into Berthe Weill's gallery.
1905
Experiments with “deconstruction”
In 1905 Vlaminck began to experiment with “deconstruction”, turning the physical world into dabs and streaks of colour that convey a sense of motion, as in “The Chatou Bridge”, “The Potato Pickers”, “The River Seine at Chatou” and “The Orchard”.
1905
The Salon d'Automne: the birth of the “Fauves”
In October 1905 Vlaminck exhibited at the controversial Salon d'Automne alongside Matisse, Derain, Marquet, Manguin, van Dongen, Camoin and Puy. Seeing their boldly coloured canvases, the critic Louis Vauxcelles disparaged the painters as “fauves” (wild beasts), and the name stuck to the movement.
1906
Ambroise Vollard buys his paintings
In 1906 the Paris dealer Ambroise Vollard began buying Vlaminck's paintings.
1907
First solo exhibition at Vollard's
In 1907 Vlaminck held his first exhibition at Ambroise Vollard's gallery.
1908
Turning to Cézanne
From 1908 Vlaminck's palette grew deeper and richer, and the predominant influence became that of Cézanne.