Le Crucifix aux anges

1660

The Gobelins Manufactory is founded

With Colbert he founds the Gobelins manufactory — at first a great school producing not only tapestries but every kind of furniture required for the royal palaces; Le Brun becomes its director and through it commands the industrial arts.

1661

A commission for a series on Alexander the Great

Louis XIV commissions from Le Brun a series of paintings from the history of Alexander the Great, meant to show the symbolic link between Alexander's deeds and the splendour of the Sun King; cartoons for the tapestry series “The History of Alexander the Great” (1664 — 1680s) are made from them, and the series is repeated eight times.

1662

Louis XIV ennobles Le Brun

The king is so delighted with the first picture of the series, “Alexander and the Family of Darius”, that he at once ennobles the artist and grants him a pension of 12,000 livres, the same sum he had received yearly in Fouquet's service. From then on everything done in the royal palaces is directed by Le Brun.

1666

The French Academy in Rome is founded

With Colbert he founds the Academy of France in Rome as a base for promising young artists, who live and study there for a set period at the crown's expense.

1667

Lectures at the Academy and the “Quarrel of the Ancients and the Moderns”

He opens a cycle of lectures at the Royal Academy on the masterpieces of classical painting, thereby joining the famous seventeenth-century debate between the adherents of classicism and of the Baroque, known as the “Quarrel of the Ancients and the Moderns”. In the Academy he defends the “Poussinists” against the “Rubenists” and the primacy of strict drawing over colour; his chief opponent there was Pierre Mignard.

1669

He takes charge of the decoration of the remodelled Versailles

Louis XIV decides to renovate Versailles completely, then still a tiny palace, and to turn it into an opulent residence where he could receive his subjects and foreign diplomats; Le Brun is put in charge of its decoration down to the smallest details of arrangement and presentation.