Titianイタリア, 1490–1576カラスのいる木
Le Couronnement d'épines
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一般公開されています。裏付けとなる出典は下に記しています。
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- この状態になった日
- 出典
- 美術館
この絵画について
『荊冠のキリスト』（けいかんのキリスト、仏: Le Couronnement d'épines、英: The Crowning with Thorns）は、イタリア・ルネサンスのヴェネツィア派の巨匠ティツィアーノ・ヴェチェッリオが1542年から1543年の間にポプラ板上に油彩で制作した絵画である。イエス・キリストの足元に「TITIANVS F」と署名されている。絵画は、ミラノのサンタ・マリア・デッレ・グラツィエ教会のサンタ・コローナ礼拝堂のために同教会の同心会により委嘱された。主題は、『新約聖書』中の「マタイによる福音書」(27章29-30) から採られており、十字架を背負う前のイエス・キリストが古代ローマの兵士たちから荊の冠を被せら愚弄される場面が描かれている。ナポレオン戦争中の1797年に略奪されてフランスに持ち去られ、現在はパリのルーヴル美術館に所蔵されている。
作品データ
- 収蔵番号
- INV 748
カタログ収録
出典
- ルーヴル美術館
- 画像： ルーヴル美術館 — © 2019 GrandPalaisRmn (musée du Louvre) / Adrien Didierjean
その頃、Titianの人生では
生涯をすべて見る1525
Marries Cecilia, the mother of his sons
Cecilia, a barber's daughter from Pieve di Cadore, had been Titian's housekeeper and for some five years his mistress, and had already borne him two sons, Pomponio and Orazio. In 1525, when she fell seriously ill, Titian married her to legitimise the children; Cecilia recovered, and the marriage was a happy one.
1527
Aretino, Sansovino and the “triumvirate”
In March 1527 the satirist Pietro Aretino arrived in Venice: he became friends with Titian and with Jacopo Sansovino, and the three were popularly known as “the triumvirate”, becoming the centre of the city's artistic establishment. Aretino enlisted both in pursuing the patronage of Federico II Gonzaga, and by the autumn of 1527 the Marquis of Mantua had received from Titian a portrait of Aretino (lost); important commissions and an introduction to Emperor Charles V followed.
1529
First meeting with Emperor Charles V in Parma
Thanks to the patronage of Federico Gonzaga, Duke of Mantua, in 1529 at Parma Titian obtained an audience with Emperor Charles V, who promised him his patronage.
1533
Bologna: Count Palatine and Knight of the Golden Spur
In 1533, after painting a portrait of Emperor Charles V in Bologna, Titian was made a Count Palatine and Knight of the Golden Spur; his children were reportedly also made nobles of the Empire. He was court painter to Charles V from 1533 and received from him a heavy gold chain.
1545–1546
A triumphant trip to Rome
In 1545–1546 Titian made a triumphant trip to Rome, painting portraits of Pope Paul III and meeting Michelangelo. Returning to Venice, he found that the most lucrative commissions were going to other, younger artists.
1547–1548
Augsburg: the “Equestrian Portrait of Charles V”
In 1547 Titian was summoned from Venice to Augsburg to paint portraits of Charles V and other dignitaries; at the Diet in early 1548 he completed six paintings, among them the “Equestrian Portrait of Charles V”. He also made the emperor aware that he had not received a single payment of his stipend, and on 10 July 1548 Charles V granted him a second annual pension of 100 scudi.
