
Simone Leighアメリカ合衆国, 1967お目にかかれますか?
一般公開されています。裏付けとなる出典は下に記しています。
Las Meninas draws on traditions throughout global art and culture to address issues surrounding the female body, race, beauty, and community. The work’s skirted form conjures figures from the Spanish Golden Age painting Las Meninas (1656) by Diego Velazquez, apparel worn in the Afro-Brazilian religious tradition candomblé, and Mousgoum buildings in Cameroon. The white-glazed terracotta torso, alluding to sacred and secular traditions of body painting, leads to a faceless head, incorporating both figuration and abstraction.
クリーブランド美術館