Francesco Albaniイタリア, 1578–1660L'Annonciation
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ルーヴル美術館
パリ, フランス
所蔵者はわかっています。いま展示されているかどうかは美術館が公表しておらず、当て推量は私どもの流儀ではありません。
- この状態になった日
- 2026年9月26日
- 出典
- 美術館自身の所蔵データ
作品データ
- 収蔵番号
- INV 2
出典
- ルーヴル美術館: the museum's own open data · 6 日前に取得
- 画像： ルーヴル美術館 — © 1993 GrandPalaisRmn (musée du Louvre) / Gérard Blot
その頃、Francesco Albaniの人生では
生涯をすべて見る1600–1625
Roman patrons and the Academy of St Luke
In Rome Albani works for members of the most powerful aristocratic families — the Borghese, Colonna, Corsini and Giustiniani; proof of his success is his admission to the Academy of St Luke.
after 1625
Back in Bologna: a large studio
After working in Rome from 1623 to 1625, Albani returns to Bologna and runs a large studio that rivals Reni's for the most important public commissions. His main work becomes large-scale altarpieces for Bolognese and provincial churches and easel pictures for an international clientele.
1630s
Begins a treatise on painting
Albani begins a treatise on painting, whose general content is known from excerpts of his notes published in Malvasia's biography: it stresses the importance of invention and of the artist's education and sharply criticizes the naturalism of Caravaggio and his followers.
