Landscape at Collioure, Henri Matisse, Collioure, summer 1905
Henri Matisseの肖像Henri Matisseフランス, 1869–1954

Landscape at Collioure

Collioure, summer 1905 · Painting

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『Landscape at Collioure』は今どこに? ニューヨーク近代美術館, MoMA, 5階, 506, ニューヨーク. はい、現在展示中. 確認 2026年9月22日.

ニューヨーク近代美術館

ニューヨーク, アメリカ合衆国

展示室MoMA, 5階, 506

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この絵画について

Landscape at Collioure is an oil-on-canvas painting by French artist Henri Matisse from 1905. It is typical of his Fauvist style of the period. It is part of the collection of the Museum of Modern Art, in New York.

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作品データ

収蔵番号
364.1990

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出典

その頃、Henri Matisseの人生では

生涯をすべて見る
  1. 1904

    First Solo Exhibition

    Matisse's first solo exhibition was held at the gallery of Ambroise Vollard, though it was not a great success.

  2. summer 1904

    Summer in Saint-Tropez with Signac

    Together with the Neo-Impressionists Paul Signac and Henri Cross, Matisse went to Saint-Tropez, where he began working in the Divisionist technique. There he painted his first masterpiece, "Luxe, Calme et Volupté" (1904/1905).

  3. summer 1905

    Collioure: The Birth of Fauvism

    Matisse spent the summer of 1905 with André Derain and Maurice de Vlaminck in the fishing village of Collioure on the Mediterranean. Together with Derain he created a new style that entered art history as Fauvism.

  4. 1905

    Scandal at the Salon d'Automne

    Matisse showed "The Open Window" and "Woman with a Hat"; Louis Vauxcelles's review of 17 October 1905 gave the group the nickname "fauves" ("wild beasts"). "Woman with a Hat" was bought by Leo Stein for 500 francs, which raised the market value of the artist's work.

  5. 1906

    Meeting Pablo Picasso

    The first meeting between Matisse and Picasso took place at the Steins' salon on the Rue de Fleurus in Paris. Their creative friendship was full of rivalry and mutual respect.

  6. 20 March 1906

    "Le Bonheur de Vivre" at the Salon des Indépendants

    Matisse presented "Le Bonheur de Vivre" (The Joy of Life), a painting combining pastoral and bacchanal motifs. Critics and academic circles reacted with extreme irritation, but Leo Stein purchased this painting as well.

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