L'air du soir, Henri-Edmond Cross, c. 1893
Henri Edmond Crossの肖像Henri Edmond Crossフランス, 1856–1910

L'air du soir

c. 1893 · Painting · 116 × 166 cm

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『L'air du soir』は今どこに? 所蔵: オルセー美術館, パリ. 不明.

オルセー美術館

パリ, フランス

所蔵者は判明していますが、現在展示中かどうかは不明です。

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作品データ

収蔵番号
RF 1976 81

カタログ収録

出典

  • ウィキデータ
  • 画像: オルセー美術館 — Henri-Edmond Cross · Public domain · Wikimedia Commons

その頃、Henri Edmond Crossの人生では

生涯をすべて見る
  1. 1890s

    Meets Fénéon, Gide and Verhaeren

    In the 1890s he works alongside Signac and gets to know the writers and critics Félix Fénéon, André Gide and Emile Verhaeren.

  2. 1891

    Turns to Neo-Impressionism

    In 1891 he begins painting in the Neo-Impressionist style and shows his first large piece in this technique at an Indépendants exhibition — a divisionist portrait of Madame Hector France, née Irma Clare.

  3. 1891

    Moves to the south of France because of rheumatism

    Having wintered in the south for years, he moves there for good in 1891 because of rheumatism. He lives first in Cabasson near Le Lavandou, then settles nearby in the small hamlet of Saint-Clair, where he stays for the rest of his life, leaving only for Italy and for the annual Indépendants exhibitions in Paris.

  4. 1892

    Signac settles nearby: gatherings in Cross’s garden

    His friend Paul Signac moves to nearby Saint-Tropez; in Cross’s garden they often host gatherings attended by Henri Matisse, André Derain and Albert Marquet.

  5. 1893

    Married: Irma Clare

  6. c. 1895

    Moves from Pointillism to a mosaic-like brushstroke

    From about 1895 he gradually changes his technique: instead of tiny dots, broad blocky brushstrokes with small areas of bare canvas left between them. The surfaces resemble mosaics, and such paintings are seen as precursors of Fauvism and Cubism.

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