La récolte des pommes, Emile Bernard, 1887
Bernard, Emileの肖像Bernard, Emileフランス, 1868–1941

La récolte des pommes

1887 · Drawing · 19.3 × 15 cm

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『La récolte des pommes』は今どこに? 所蔵: ブレスト美術館, ブレスト. 不明.

ブレスト美術館

ブレスト, フランス

所蔵者は判明していますが、現在展示中かどうかは不明です。

この状態になった日
出典
美術館

作品データ

収蔵番号
986.7.2

描かれているもの

カタログ収録

出典

  • ブレスト美術館
  • 画像: ブレスト美術館 — Hervé Ronné; Ministère de la Culture (France), base Joconde

その頃、Bernard, Emileの人生では

生涯をすべて見る
  1. 1884–1885 · 活動地

    Paris

  2. 1884–1886

    Cormon's atelier, Anquetin and Toulouse-Lautrec

    After beginning at the École des Arts Décoratifs, Bernard joins Fernand Cormon's atelier, in 1884 by some accounts and in 1886 by others. There he experiments with Impressionism and Pointillism and befriends Louis Anquetin and Toulouse-Lautrec; he also meets van Gogh there.

  3. 1886

    First meeting with Gauguin in Pont-Aven

    In August 1886 in Pont-Aven Bernard meets Gauguin for the first time; they exchange little about art but look forward to meeting again. Looking back, Bernard said his own talent was already fully developed, and he believed that his style played a considerable part in the development of Gauguin's mature style.

  4. 1887

    Cloisonnism, developed together with Anquetin

    In 1887 Bernard and Louis Anquetin develop cloisonnism — bold forms separated by dark contours; in the spring they “turn against Neo-Impressionism”. Many, however, credit Anquetin with the technique, and Bernard was probably also influenced by the works of Cézanne he had seen.

  5. 1887–1888

    An exhibition in the restaurant on the Avenue de Clichy

    Back in Paris, Bernard attends the Académie Julian and meets van Gogh, who is impressed by his work. He finds a restaurant on the Avenue de Clichy where his work is shown alongside that of van Gogh, Anquetin and Toulouse-Lautrec; van Gogh calls the group the “School of the Petit Boulevard”.

  6. 1888

    On foot to Pont-Aven: friendship with Gauguin

    A year later Bernard again sets out for Pont-Aven on foot and sees Gauguin; their friendship and artistic partnership quickly grow strong. Bernard wants an art of the most extreme simplicity, accessible to all and practised collectively, and Gauguin is impressed by his ability to put his ideas into words. Other accounts have him living in Pont-Aven in 1886–1888 and joining the Pont-Aven group.

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