Marcello
La Gorgone (The Gorgon)
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一般公開されています。裏付けとなる出典は下に記しています。
- 確認
- この状態になった日
- 出典
- 美術館
この彫刻について
The sculptor of this head, Adèle d'Affry, was born in Fribourg, Switzerland, but married Carlo Colonna, Duke of Castiglione, in Rome, and was generally referred to by contemporaries as the Duchesse Colonna. She adopted the male name 'Marcello' to demonstrate her seriousness and to distinguish her works from those of women amateurs. She was largely self-taught. She worked in Paris, Rome and Fribourg and was a friend of the French sculptors Carpeaux and Clésinger.
続きを読む
This bust is one of a number of subjects depicting powerful women. While the fearsome head of the Gorgon, or Medusa, had long been a sculptural motif - the V&A for instance has an important small bronze head of Medusa by Cellini - it is here translated into an unprecedently monumental form. While this composition was developed into a full size figure used in 1870 to decorate the Paris Opera, its reception in England was mixed. A South Kensington curator of the 1870s described it as a 'theatrical rendering of an ill-conceived ideal'. A reviewer in the 'Art Journal' of 1st June 1866 described it, after seeing it exhibited in the Royal Academy that year, as ...'a work admirable for spirit, power and firm execution [but] it is to be regretted that a coarsely voluptuous bust taints this noble conception with vulgarity'.
ヴィクトリア&アルバート博物館
作品データ
- 収蔵番号
- 239-1866
描かれているもの
カタログ収録
出典
- ヴィクトリア&アルバート博物館
- 画像： ヴィクトリア&アルバート博物館 — © Victoria and Albert Museum, London
