Henri Edmond Crossフランス, 1856–1910La Ferme, matin
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『La Ferme, matin』は今どこに？ 所蔵: ナンシー美術館, ナンシー. 不明.
ナンシー, フランス
所蔵者は判明していますが、現在展示中かどうかは不明です。
- この状態になった日
- 出典
- 美術館
作品データ
- 収蔵番号
- 98.1.1
描かれているもの
カタログ収録
出典
- ナンシー美術館
- 画像： ナンシー美術館 — Delaunay; Ministère de la Culture (France), base Joconde
その頃、Henri Edmond Crossの人生では
生涯をすべて見る1890s
Meets Fénéon, Gide and Verhaeren
In the 1890s he works alongside Signac and gets to know the writers and critics Félix Fénéon, André Gide and Emile Verhaeren.
1891
Turns to Neo-Impressionism
In 1891 he begins painting in the Neo-Impressionist style and shows his first large piece in this technique at an Indépendants exhibition — a divisionist portrait of Madame Hector France, née Irma Clare.
1891
Moves to the south of France because of rheumatism
Having wintered in the south for years, he moves there for good in 1891 because of rheumatism. He lives first in Cabasson near Le Lavandou, then settles nearby in the small hamlet of Saint-Clair, where he stays for the rest of his life, leaving only for Italy and for the annual Indépendants exhibitions in Paris.
1892
Signac settles nearby: gatherings in Cross’s garden
His friend Paul Signac moves to nearby Saint-Tropez; in Cross’s garden they often host gatherings attended by Henri Matisse, André Derain and Albert Marquet.
1893
Married: Irma Clare
c. 1895
Moves from Pointillism to a mosaic-like brushstroke
From about 1895 he gradually changes his technique: instead of tiny dots, broad blocky brushstrokes with small areas of bare canvas left between them. The surfaces resemble mosaics, and such paintings are seen as precursors of Fauvism and Cubism.
