Andrea del Sartoイタリア, 1486–1530La Charité
見られますか？
はい、現在展示中
『La Charité』は今どこに？ ルーヴル美術館, Salle 712, Aile Denon, Niveau 1, パリ. はい、現在展示中. 確認 2026年9月26日.
閉館· 明日9:00に開館
一般公開されています。
- 確認
- この状態になった日
- 出典
- 美術館
この絵画について
『慈愛』（じあい、仏: La Charité, 英: Charity）は、イタリア盛期ルネサンスの画家アンドレア・デル・サルトの署名と年記のある1518年制作の絵画である。板上に油彩で描かれたが、キャンバスに移転されている。主題は、キリスト教の中でも最も重要な美徳である「慈愛」である。作品は、パリのルーヴル美術館に所蔵されている。
作品データ
- 収蔵番号
- INV 712
カタログ収録
出典
- ルーヴル美術館
- 画像： ルーヴル美術館 — © 2011 GrandPalaisRmn (musée du Louvre) / Tony Querrec
その頃、Andrea del Sartoの人生では
生涯をすべて見る1510s
The first pupils: Rosso Fiorentino and Pontormo
In the 1510s Andrea himself acquires pupils, among them Rosso Fiorentino and Jacopo da Pontormo; their work develops their teacher’s sculptural drawing and decorative compositions and leads towards Florentine Mannerism.
1518
Married: Lucrezia del Fede
1518
At the court of François I in France
Before the end of 1516 a “Pietà” of Andrea’s composition, and afterward a “Madonna”, are sent to the French court, and in 1518 François I invites him: Andrea travels to Paris in June (by other accounts, in May, to the palace of Fontainebleau) with his pupil Andrea Squarzzella, leaving his wife Lucrezia in Florence. Court life evidently does not suit him; of his works in France only a portrait of the dauphin and “Charity” (now in the Louvre) are mentioned.
1519
Back from France, and the story of the king’s money
Already in 1519 Andrea returns to Florence; according to Vasari, Lucrezia writes to him demanding that he come back, and the king lets him go for a short absence, entrusting him with money to buy works of art for the French court — but Andrea spends it on a house in Florence and loses the chance to return. Some historians dismiss the story as apocryphal; it inspired Robert Browning’s poem “Andrea del Sarto Called the ‘Faultless Painter’” (1855).
1520
He begins building his own house
In 1520 Andrea begins building his own house in Florence at the corner of via San Sebastiano and via del Mandorlo; the building still stands four centuries later, and after its first owner several other artists lived in it, rebuilding it to their own needs.
