Albrecht Altdorferドイツ, 1480–1538Kruisdraging
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アムステルダム国立美術館
アムステルダム, オランダ
所蔵者は判明していますが、現在展示中かどうかは不明です。
- 出典
- 美術館
作品について
美術館の言葉で — オランダ語
Christus op zijn knieën, het kruis op zijn schouders dragend. Achter hem een menigte mensen, voor hem een soldaat die op het punt staat met een touw te slaan. Zevenentwintigste prent uit een serie van veertig.
アムステルダム国立美術館
作品データ
- 収蔵番号
- RP-P-OB-3024
その頃、Albrecht Altdorferの人生では
生涯をすべて見る1505
Settles in the free city of Regensburg
He settles in Regensburg, a free imperial city on the Danube, where he will in time become town architect and a member of the city council.
1511
A journey down the Danube to the Austrian Alps
In 1511 he travels along the Danube to the Austrian Alps, making sketches on the way. Altdorfer is regarded as one of the first German artists to turn to landscape as an independent genre.
1513
In the service of Emperor Maximilian I in Innsbruck
From 1513 he is in the service of Emperor Maximilian I in Innsbruck (Tyrol) and carries out several commissions for the imperial court; for the emperor he also made drawings for the “Triumphal Arch”, the “Triumphal Procession” and Maximilian's “Prayer Book”.
1526
Becomes the chief architect of Regensburg
From 1526 he is the city's chief architect, responsible among other things for its fortifications; during the Reformation he devoted himself mainly to architecture. Contemporaries saw in him above all an architect: his gravestone says that a builder lies buried beneath it.
by 1529
Gives up the office of mayor for the Duke's commission
William IV, Duke of Bavaria, commissions “The Battle of Alexander” as part of a series of eight historical battle scenes for the Residenz in Munich; to accept the commission, Altdorfer renounces the office of Mayor of Regensburg. The painting is thought to be the earliest to show the curvature of the Earth from a great height.
