Claude Lorrainフランス, 1600–1682Koeienhoeder
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アムステルダム国立美術館
アムステルダム, オランダ
所蔵者はわかっています。いま展示されているかどうかは美術館が公表しておらず、当て推量は私どもの流儀ではありません。
- 出典
- 美術館自身の所蔵データ
作品について
In the museum's own words — the original
Een kudde koeien waadt door de rivier, de herder gezeten op de oever speelt op een instrument.
アムステルダム国立美術館
作品データ
- 収蔵番号
- RP-P-OB-5681
What it shows
カタログ収録
出典
- アムステルダム国立美術館: the museum's own open data · 6 日前に取得
- 画像： アムステルダム国立美術館 — public domain
その頃、Claude Lorrainの人生では
生涯をすべて見る1633–1635
Growing fame: commissions from the French ambassador and Philip IV
Claude’s growing reputation was shown by commissions from the French ambassador in Rome (1633) and from Philip IV of Spain (1634–35).
1634
Admitted to the Academy of Saint Luke
In 1634 Claude was admitted to the Academy of Saint Luke.
1635
Recognition: his pictures are in demand
From 1635 Claude’s work was recognised and his paintings were in great demand; his patrons included Pope Urban VIII (four works), Cardinal Bentivoglio and Prince Colonna.
1635–1638
Pope Urban VIII commissions four paintings
According to Baldinucci, Cardinal Guido Bentivoglio, impressed by the two landscapes Claude painted for him, recommended the artist to Pope Urban VIII; four paintings were made for the Pope in 1635–38, two large and two small on copper.
1637
The French ambassador buys two paintings
In 1637 the French ambassador to the Vatican bought two paintings from Claude, “View of the Roman Forum” and “View of a Port with the Capitol”, which are now in the Louvre.
late 1630s
Italy’s leading landscapist, with large fees
By the end of the 1630s Claude was established as the leading landscapist in Italy and enjoyed large fees; his landscapes gradually became larger but with fewer figures, more carefully painted and produced at a lower rate.
