Marie Laurencinフランス, 1883–1956Juliette
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ニューヨーク, アメリカ合衆国
コレクションに属していますが、現在は展示されていません。
- 確認
- 出典
- 美術館
作品データ
- 収蔵番号
- 375.1940
カタログ収録
出典
- ニューヨーク近代美術館
- 画像： ニューヨーク近代美術館 — © the artist or rights holder
その頃、Marie Laurencinの人生では
生涯をすべて見る1920s
Her distinctive style takes shape
After her return to Paris the muted colours and geometric patterns inherited from Cubism give way to light tones and undulating compositions; her signature motif becomes willowy, ethereal female figures in a soft pastel palette.
1923
Turning away from Cubism
In a 1923 interview she says that Cubism “poisoned” three years of her life and kept her from working: as long as she was under the influence of the great men around her, she could do nothing.
1924
Sets for Diaghilev's ballet
She designs sets for Sergei Diaghilev's Russian ballet.
1925
Exhibition of decorative arts
Her works at the exhibition of decorative arts delight the public; later she finds her inspiration mainly in easel painting.
