Félix Nadarフランス, 1820–1910Jean-François Millet
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『Jean-François Millet』は今どこに？ 所蔵: ニューヨーク近代美術館, ニューヨーク. 現在は展示されていません. 確認 2026年9月22日.
ニューヨーク, アメリカ合衆国
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- 確認
- 出典
- 美術館
作品データ
- 収蔵番号
- 545.2009
カタログ収録
出典
- ニューヨーク近代美術館
- 画像： ニューヨーク近代美術館 — © the artist or rights holder
その頃、Félix Nadarの人生では
生涯をすべて見る1854
A portrait studio at 113 rue Saint-Lazare
In 1854 a friend encouraged him to begin a portrait photography business; busy with caricature, Nadar yielded operations to his younger brother Adrien, who soon ran into debt, while Nadar took portraits at his own studio at 113 rue Saint-Lazare. Tensions between the brothers led to legal disputes over the right to use the name “Nadar”.
1854年8月11日
Married: Ernestine Nadar
1855
Gold medal at the Exposition Universelle for the Pierrot series
The “Expressions of Pierrot” series was shown at the Exposition Universelle in Paris in 1855, where it won a gold medal.
1856年2月8日
Son born: Paul Nadar
1858
The world’s first aerial photographs
He became the first person to take aerial photographs, using the wet-plate collodion process: the plates had to be prepared and developed in the basket while aloft, and escaping gas ruined the images until Nadar invented a gas-proof cotton cover for his baskets. He also pioneered the use of artificial light in photography, working underground in the catacombs of Paris.
1860
A studio at 35 Boulevard des Capucines
In 1860 Nadar moved to 35 Boulevard des Capucines, where he photographed politicians (Guizot, Proudhon), stage actors (Sarah Bernhardt, Paulus), writers (Hugo, Baudelaire, Sand, Nerval, Gautier, Dumas), painters (Corot, Delacroix, Millet) and musicians (Liszt, Rossini, Offenbach, Verdi, Berlioz). In the studio he eschewed traditional sumptuous decors and unnecessary accessories and preferred natural daylight.
